Complete Stylistic analysis
The analyzed story is under the title “The Storm” written by Kate
Chopin. The author of this short story, Kate Chopin (the real name Katherine
O'Flaherty), is a famous American author of short stories and novels of the 19th
century. She
is now considered to have been a forerunner of the feminist authors of the 20th
century. Her father, Thomas O'Flaherty, was a successful businessman, and her
mother, Eliza Faris, was a well-connected member of the French community in St. Louis , so Kate
belonged to the upper-class society. Chopin's writing style was influenced by
her admiration of Guy de Maupassant. Her important short stories included
"Desiree's Baby" (published in 1893), "The Story of an
Hour" (1894), and "The Storm"(1898). "The Storm" is a
sequel to "The 'Cadian Ball", which appeared in her first collection
of short stories, Bayou Folk (1894).
The story is devoted to the problem of people’s relationships, which are
compared in this story to the stormy weather. Moreover, there arises the
problem of woman’s fate and its place in the society. The plot describes an
affair between Calixta, wife to Bobinot and mother to four-year old Bibi, and
Alcee, husband to Clarisse, during a terrible rain storm. The storm, in this
context, brightly symbolizes the passion and personal feelings of the main
characters, mainly Calixta and Alcee. From my point of view, the last sentence
from the story ”So the storm passed and every one was happy” reveals the main
idea, which claims that all the bad things always pass, and nothing can prevent
us from being happy, like in the case of the main characters. It is shown in
the story, that their affair didn’t influence their conjugal life.
The events in the analyzed story happened in Louisiana . Kate
Chopin brilliantly described the setting, appropriate to the main theme. The
author created the threatening images, which prepare and warn us of something
unexpectable and frightening, like “…sombre clouds that were rolling with
sinister intention from the west, accompanied by a sullen, threatening roar”; “The
rain beat upon the low, shingled roof with a force and clatter that threatened
to break an entrance and deluge them there.”. Through these descriptions the
emotional state of the characters reflects. Speaking about the general mood of
the story, it should be noted that it is an important part of the setting
description. The mood and tone is rather changeable, as the weather has an
ability to change. At first, the tone of the story is dull and gloomy, but as
the storm passes, it becomes joyful and
optimistic. The changes in the general mood depict the personal inner changes
of the characters and their attitude toward others.
From the point of view of presentation the story is the 3rd
person narrative with the elements of a dialogue, primarily between Bibi and
Bobinot (at the very beginning of the story), Calixta and Alcee (during the
climax).
The main characters we meet in this story are characterized primarily through
their speech. It is obvious that characters’ speech peculiarities depict social
background and the level of their education, like in the examples: “"My!
Bibi, w'at will yo' mama say! You ought to be ashame'. You oughta' put on those
good pants. Look at 'em! An' that mud on yo' collar! How you got that mud on
yo' collar, Bibi?”; “J'vous rponds, we'll have a feas' to-night!
umph-umph!". However, Bibi’s speech is defined by his age “No; she ent got
Sylvie. Sylvie was helpin' her yistiday', as there is en evident sentence in
the story: “Bibi was four years old and looked very wise”. We can also assume,
that Bobinot just imitates the speech of his son, because it is said in the
text “Bobint, who was accustomed to converse on terms of perfect equality with
his little son…”.
The protagonist, Calixta, is rather a passionate and expressive
personality, because her speech and sayings are full of exclamations and
exclamatory sentences, which she uses in absolutely different situations, such
“My! what a rain!”; “lf this keeps up, Dieu sait if the levees goin' to stan
it!”; “Shrimps! Oh, Bobint! you too good fo' anything!. At the beginning, like
a storm, Calixta is quiet and calm, but as storm grows its force, Calixta’s
temptations and feelings are gaining strength with the emergence of her former
lover Alcee.
The plot includes the traditional parts of the story: exposition (when
the author describes the setting and the approaching storm, which makes Bibi
and Bobinot to stay at Friedheimer’s store), the development of the plot, or
the rising actions (when Calixta notices that it begins to grow dark and
something bad must happen and when she starts her conversation with Alcee), the
climax (when Calixta and Alcee give vent to their emotions and desire, and
deepen into the world of passion and love during a terrible storm outside), and
the denouement (when the storm passes, Bibi and Bobinot return home, and the
author describes the improved family relations of both the main characters.).
In order to portray the characters, their emotions and feelings, to
describe the setting and to render the general atmosphere of the story vividly
and convincingly the author uses a huge diversity of stylistic devices.
Speaking about lexical stylistic devices we should point to the usage of
such devices, as metaphor, which is
used mainly for the description of the main characters and their appearance or
personal feelings, like in the examples “She was a revelation in that dim,
mysterious chamber”, “Her mouth was a fountain of delight”, “Bibi was the
picture of pathetic resignation.”. It should be mentioned the cases of personification, which reveals the idea of the link between the natural phenomena
and people’s feelings, and that’s why the author gives human traits to some
phenomena: “clouds that were rolling with sinister intention from the west”, “the
storm…shook the wooden store and seemed to be ripping great furrows in the
distant field”, “the water beat in upon the boards in driving sheets”. The
story is evidently full of epithets,
which helps us to create the images of the characters, to deepen into the
‘stormy’ atmosphere and to follow the events, that occur in the plot
development. There are some examples of epithets: “a sullen, threatening
roar”,” a
blinding glare”, “warm, palpitating body”, “a beaming face”, etc.
The author uses the cases of simile
in order to depict the state of passion and delight, which prevails in
Calixta’s mind, when she is in the Alcee’s arms: “Her lips were as red and
moist as pomegranate seed”, “as white as the couch she lay upon”.
In order to portray the atmosphere and to confirm the fact that Calixta
and Alcee did not heed the storm outside, the author used the case of hyperbole, which exaggerate their passionate state: “It was
stiflingly hot”. The case of oxymoron
is obvious in the story “a soothing rhythm”, and also the case of litotes “felt no uneasiness”, which
performs the statement in the form of negation. The last sentence from the
story “So the storm passed and every one was happy” is a vivid example of zeugma, because in this sentence two
different meanings are combined together.
As for the morphological structure of the story, it should be mentioned
that expressive synonyms of the adjectives in the text are represented by such
stylistically marked structures as: N1
of N2 “the playing of the lightning” “the growl of the thunder”, A of N “fuller of figure” and of-phrase “gust of wind”.
Phonetic stylistic devices are presented through the usage of onomatopoeia and alliteration in order to emphasize some parts of the story or just
to brighten the content. The case of onomatopoeia is “umph-umph!” and
alliteration is obvious in “infatuation
and desire for her flesh”, “hand stroked with a soothing
rhythm his muscular shoulders.”
It is clear that there are a lot of syntactical devices in the story. In
order to emphasize the utterance and make it more rhythmic, the author uses asyndeton in the sentence: “If she was
not an immaculate dove in those days, she was still inviolate; a passionate
creature whose very defenselessness had made her defense, against which his
honor forbade him to prevail.”. It should be mentioned also the case of inversion which is aimed at making one
part of the sentence more prominent than other, thus showing Clarisse devotion
to her husband Alcee, like in the example: “Devoted as she was to her husband,
their intimate conjugal life was something which she was more than willing to
forego for a while.”
To make an influence on a reader and make him to feel the romantic
atmosphere between the main characters, the case of ordinary repetition is used: “Oh! she remembered; for in Assumption
he had kissed her and kissed and kissed
her; until his senses would well nigh fail, and to save her he would resort
to a desperate flight.” Focusing the reader’s attention on some words or
phrases, the author uses detached
constructions: “ ‘I brought you some shrimps, Calixta,’ offered Bobinot, hauling the can from his ample side pocket
and laying it on the table.”, “She had not seen him very often since her
marriage, and never alone.” and syntactical split or separation: “Bobinot
and Bibi, trudging home, stopped
without at the cistern to make themselves presentable.”
Summing up my stylistic analysis, I want to say that this story is really
worth reading and analyzing. The intriguing title “The Storm” draws the
reader’s attention and then appears a desire to read this story and to find
out, what it is about, and why the author uses such symbol in his or her story.
I like Chopin’s style of writing and that she brightens the story with a huge
diversity of phonetic, lexical and syntactical stylistic devices. So, I advise
everyone to read and enjoy this short story by Kate Chopin.
